Poems

‘La Moneda’, ‘Woodberry Down’, ‘Inventory’, ‘Partial Sun’, ‘William’s Song’, Lana Turner 16 (Spring 2024)

'Canterbury Bell', Australian Book Review 457 (September 2023)

'Woodberry Down', 'Last Resort', 'The Abandoned Village', 'Close Your Eyes', and 'Merched Becca', Blackbox Manifold 30 (Summer 2023)

‘The Rest’, Australian Book Review 443 (June 2022)

Tom Get Shrunk (Run Amok Press, 2021), benefit for the Poets’ Hardship Fund

‘Hanging in the Air’, Critical Inquiry 47 (Winter 2020)

‘Pivot’, Poetry London 91 (Autumn 2018)

‘In the Dayroom’, ‘Keen’, ‘None the Wiser’, ‘Deluxe Shade’, ‘It is half past two’, Bathhouse Journal 18 (2018)

‘Open Source’, ‘Headspace’, ‘Ferret’, ’31’, ‘Winners and Losers’, ‘The Fire This Time’, ‘Desiring Machines’, ‘Strong Dress’, Critical Quarterly 60.1 (June 2018)

‘Extortionate’, Harpers (April 2018)

‘Castle Cary’, Pelt 4, Organism for Poetic Research (2018)

from The Blue Split Compartments, in Blackbox Manifold 20 (June 2018)

‘A Pinch of Salt’, Granta (June 2017)

‘The Determination of Love’, British Academy blog (2017)

‘All My Sons’, ‘Day Song’, ‘Insomniad New’, and others, Golden Handcuffs Review 22 (autumn 2016): 11-24

‘The Fourth Call of Mr Gore’, ‘The Leavings’, Ocean State Review 5 (Summer 2015)

‘Book of the City of Ladies’, Chicago Review 59.1/2 (May 2015)

‘Skinflint’, ‘The Underworld’, ‘Marlow One’, ‘In the Škocjan Voids’, ‘Depth Charge’, ‘The Strangles’, Cordite 49.1 (February 2015)

Cambridge Literary Review 2 (Jan. 2010), 5 (Oct. 2011), and 8/9 (2015)

‘Sight Unseen’, ‘Museum of Childhood’, ‘A Following Sea’, Onedit 6

‘Rex’, Infinite Editions: poem with artwork by Ayla ffytche (2012)

‘Gegensätzliche Formen’, ‘Total Empathy’, ‘The Sound Archive’, Fence 15.1 (Summer 2012), 80-83

seven poems from Dompteuse, Vlak 1 (Sept. 2011): 188-191

‘End of Days’, The Wolf 17 (April 2008)

Special feature on ‘Four from Britain’ (Andrea Brady, Chris Goode, Peter Manson and Keston Sutherland’, Chicago Review 53.1 (Spring 2007)

‘Damaged Good’, Mute 2.6 (August 2007)

‘Sweatbox’, The New Review of Literature 4.1 (Oct. 2006)

‘Shots of Whisky Pete’, The Capilano Review 2.46 (2005)

Poetry Review 94.3 (Autumn 2004)

‘Park American Dream’, The Baffler 16 (2003)

‘The End Of: Seasonal 0z’, triquarterly 116 (2003)

‘Parrots’, How2 1.8 (Fall 2002)

‘The Vacant Embassy’, ‘The Pledge of Allegiance’, Chicago Review 47.3 (Fall 2001)

‘Perpindicular Twins’, ‘Song (for Florida)’, ‘Notice to Existing Customers’, Parataxis 10 (2001)

‘Girl Talk’, ‘Bound’, ‘Feeding Lola's Brother’, ‘1 Will be Back at Nine’, ‘Fun * Leisure * Sport * Pleasure’, Jacket 9 (October 1999)

‘Driven to my office,’ ‘For a tapering bravura’, ‘Afar is a trance,’ ‘The thrill seeps out,’ The East Village Poetry Web 5 (1999)

‘Function of the Commonwealth and Overseas Trust’, ‘Spoken For’, Stand n.s. 1.4 (Dec. 1999)

five poems, Big Allis 8 (1998)

Six poems from The White Wish, Jacket 3 (April 1998)

Essays and Reviews

‘Compression’, Too Little Too Hard 2 (January 2024)

‘Victory by Simile’, Review of David Waldstreicher, The Odyssey of Phillis Wheatley, London Review of Books 46.1 (4 January 2024)

‘What’s this fork doing?’, Review of Alice Notley, London Review of Books 45.17 (7 September 2023)

‘Imitation Game’, Review of Camille Ralphs, TLS (15 September 2023) 

‘Alternative Arrangements’, Fence 40 (2023)

‘Archaic Objects’, Review of A. E. Stallings, Poetry Foundation (2022)

‘The Death Arts’, Review of The Death Arts in Renaissance England: A Critical Anthology, ed. William E. Engel, Rory Loughnane and Grant Williams (Cambridge University Press, 2022) and C. B. Newham, Country Church Monuments (Particular Books, 2022), TLS (February 2022)

‘Refuse to Be Useful’, Review of Lisa Robertson, London Review of Books 44.15 (4 August 2022)

‘Diane di Prima’s Revolutionary Poetics’, Berfrois (11 October 2022)

‘If you’re not bargaining, you’re begging’, LRB Blog (20 July 2022)

‘Stay Home, Stay Stoned’, Review of Diane di Prima, Revolutionary Letters, London Review of Books 44.5 (10 March 2022)

‘It’s me you gotta make happy’, Review of The Selected Letters of John Wieners, London Review of Books 43.15 (29 July 2021)

‘Lost Names’, Review of Lucille Clifton, How to Carry Water, London Review of Books 43.8 (22 April 2021)

‘Bind me – I still can sing – ’, Stillpoint Spaces (July 2018)

‘Where Do These Lines Go? Poetry in Beirut’, Poetry Review (Autumn 2016): 28-38

 ‘The White Privilege of British Poetry is Getting Worse’, The Conversation (8 October 2015)

‘Poetry and Space’, Widening the Register: the CreativeWorks blog (23 September 2015)

‘First Readings: Basil Bunting performs Sir Thomas Wyatt’s “Blame not my lute”’, First Readings, ed. Al Filreis, Brian Reed, and Craig Dworkin, Jacket2 (May 2015)

‘The Progressive Poetics Project,’ ed. Harvey Hix (11 March 2015)

‘Life Worth Crowning’, Berfrois (18 September 2013)